 FREE SAMPLE TRACK Replete with dark-toned reeds and copious solo colors, Lemare’s transcription of Wagner’s Siegfried Idyll finds a particularly agreeable partner in Opus 232 (built in 1915), with its generous capacity for orchestral nuance and expressive effects. Serving the demand of the time for orchestral transcriptions, the tonal pallet of Skinner’s Opus 232 is representative of the pattern he had established by 1915 - a small Great of refined foundation stops enlivened by large, colorful Swell, Solo and Echo divisions.
Jenkins: Dawn |
